2021 Adaptation Contest
$10,000 | film/TV industry circulation | project development
The Book Pipeline: Adaptation competition seeks published books, graphic novels, short stories, and plays for film and television adaptation.
Both traditional and self-published material accepted. There are no genre restrictions, and judging criteria is based on concept originality, marketability in the current landscape, and overall writing talent.
Since 2014, Book Pipeline has helped authors develop their work into screenplays and pilots, connect with production companies, and open up new avenues for those looking to make the transition to film and television.
Winner and finalists receive one-on-one assistance from Book Pipeline execs prior to industry exposure, in addition to the following:
- $10,000 to winner, $2,000 to 2 runners-up ($1,000 each)
- Extensive project development to prepare a film or TV series pitch or script
- Long-term circulation and promotion to producers and other execs
- Consideration of other material and circulation of other stories to industry
- Invitations to annual writer and industry events hosted by Pipeline Media Group
Grand Prize Winner (1) - November 1st, 2021
Runners-up (2) - November 1st, 2021
- $2,000 ($1,000 to each runner-up)
Finalists (up to 10 selections) - October 20th, 2021
The Grand Prize Winner, Runners-up, and Finalists receive the following:
- Long-term circulation to producers and other execs
- Project development with Book Pipeline to prepare a film or TV series pitch
- Additional material review and circulation consideration of other stories, published or unpublished
- Invitations to annual writer and industry events hosted by Pipeline Media Group
Criteria & Guidelines
Submitted books, graphic novels, and short stories must already be published in some form (traditional publishing or self-publishing). Stage plays must have been published and/or produced. Unpublished material can be submitted to Book Pipeline: Unpublished.
Entries are judged on the basis of concept originality, writing ability, and the property’s viability as a scripted film or television series. Judging is done internally by Pipeline development executives.
NOTE - a synopsis is required for all submissions
For books: approximately the first 5,000 words only + full story synopsis (1-3 pages)
For graphic novels: selected pages + full story synopsis
For short stories: the complete short story + brief overview or synopsis
For plays: selected pages up to approximately 5,000 words + full story synopsis
- Book Pipeline does not take a percentage of any future option or sale of your work, and all rights remain with the author, regardless of their final placement in the competition.
- PDF or Word doc preferred. If you only have a hardcopy of your book, we'll accept image files of the first 5,000 words (appx.) rather than require a mailed-in copy. The synopsis, however, should be sent as a PDF.
- No limit on the number of entries. Each entry is a separate fee.
- Supplemental documents (illustrations, additional information or media, etc.) are entirely optional and may be emailed separately after registering.
- Simultaneous submissions are allowed (i.e., you can submit the material elsewhere while in competition).
- Entries must already be published.
- The film AND television rights must be available at the time of entry. If the material is acquired by a production company or other entity after the time of entry, we'll withdraw from competition.
- Co-written works are acceptable. Only one writer needs to register.
- Will accept entries submitted by a publisher so long as the author's consent is given.
- Must be at least eighteen (18) years of age at time of entry.
Pipeline Media Group has cultivated relationships with production companies, managers, agents, directors, independent producers, and other executives over the past 20 years, leading to several success stories annually.
Book Pipeline individually coordinates with the selected writers on circulation, depending on the genre and type of story selected. Production companies include:
- Zero Gravity Management - Ozark, The Accountant
- QC Entertainment - Get Out, Us, BlacKkKlansman
- Bellevue Productions - Infinite
- Liz Destro (producer) - The Butler, Cake, The Little Hours
- 3 Arts - Space Force, The Call of the Wild
- BET - American Soul, Boomerang
- Fuqua Films - The Magnificent Seven, Southpaw
- Solstice Studios - Hypnotic, Unhinged
- Good Fear Film + Management - Mulan, Under the Silver Lake
- 3Pas Studios - How to be A Latin Lover
WHAT ARE THE DEADLINE DATES?
Pre-register: December 31st, 2020
Special Entry: February 15th, 2021
Early: May 20th, 2021
Regular: August 15th, 2021
Late: August 31st, 2021
WHAT IF MY BOOK IS UNPUBLISHED?
Writers with unpublished material may submit through our other division, Book Pipeline: Unpublished.
IF MY BOOK IS ABOUT TO BE PUBLISHED, IS IT ELIGIBLE?
Yes. If your book is getting released later in the year, you can register and submit at any time. If it's set for a 2022 release, it must be entered for the 2022 season.
HOW DO I REGISTER?
Fill out the required fields on the right-hand column of this page, continue to the next page, indicate your payment details, and click "submit." File/s may be sent by email or uploaded during this registration process. You'll receive a confirmation email with further info after registering.
HOW SHOULD I SEND MY SUBMISSION?
Electronic submissions only. Selected chapters and synopsis can be uploaded during registration. If the entrant is only in possession of a hardcopy of the book, we'll accept image files of the first appx. 5,000 words. No need to mail in the book itself.
CAN I REGISTER NOW AND SEND THE ENTRY IN LATER?
Yes, writers may register at any time and send their material later at no extra fee. All entries must be received by the late and final deadline: August 31st, 2021.
IF I'M SUBMITTING A BOOK AND IT SPILLS OVER THE 5,000 WORD COUNT LIMIT, IS THAT OKAY?
Absolutely. If you want to send in selected text---say, the first two chapters---and a natural break occurs around 6,000 words, that's acceptable.
WHAT SHOULD I INCLUDE IN MY SYNOPSIS?
The synopsis should be a general summary of the story, hitting on the major plot points, beginning to end. While we will accept a more detailed outline (5+ pages), it isn't necessary, though this of course depends on the type of material you're submitting (example: if you have part one of a broader series, you could send a full summary of the entire series).
Essentially, for judging, we need to get a sense of the complete project's conceptual and narrative scope. This, combined with the writing sample, full or partial, will help us make a determination on the adaptation potential.
CAN INTERNATIONAL WRITERS ENTER?
Yes, applicants outside the US are welcome to enter ANY Book Pipeline contest.
DO I RECEIVE FEEDBACK ON MY ENTRY?
This season, unlike previous years, all feedback on submissions is kept internal.
WILL YOU ACCEPT PITCHES ONLY?
No. All submitted works must have been already published and/or produced in their entirety.
Contact our coordinator with any other questions.
Success stories from Pipeline's screenwriter and filmmaker contest winners. . . .
Finalist Sells Spec to Legendary in Seven-Figure Deal
Crosby Selander's Bring Me Back sold to Legendary Entertainment in September 2020 after a bidding war. The deal landed in the seven figures, making it one of the highest spec sales in years---and one of the few specs ever sold for over $1 million from a "new," unproduced writer.
After placing in the top 10 of the 2020 Screenwriting season, Bring Me Back was circulated to several Pipeline industry partners, with Kaplan/Perrone signing Crosby a few weeks later.
Pipeline judges called the script a "wonderfully sprawling genre hybrid. . . expertly drawn by a writer with a profound understanding of the human condition."
Tripper Clancy Sells Specs to Fox, Writing for Netflix and Quibi Series
Contest winner Tripper Clancy signed with a Script Pipeline partner in 2011 before selling several specs.
A few months after the screenwriting competition ended, 20th Century Fox selected Tripper for their feature comedy writing team to help develop new material. Later, he was hired to write the animated feature Shedd for Paramount, Stranded for Sony, the Amazon film High Five, the comedy Hacker Camp for Hasbro, and an adaptation of The Art of Fielding for Mandalay / IMG. He sold two specs in that span: The Ambassadors and Winter Break.
Tripper's first produced studio feature, Stuber (2019) sold in the mid-six figures. The action-comedy stars Dave Bautista (Guardians of the Galaxy), Kumail Nanjiani (The Big Sick, Silicon Valley), Mira Sorvino, and Betty Gilpin (Glow). Following the release of Stuber, he was brought on to write the Varsity Blues reboot and joined the staff of the Netflix series I am Not Okay With This, starring Sophia Lillis (It).
He's the co-creator, writer, and co-producer as well of the Quibi series Die Hart, starring Kevin Hart, Nathalie Emmanuel (Game of Thrones), and John Travolta.
Fox Buys Show from Script Pipeline Contest Runner-up
Runner-up in the Script Pipeline TV Writing Competition, Laura Bensick sold her show Everyday Insanity to Fox. Ken Olin (This is Us) and Sterling K. Brown producing. The drama series addresses mental illness within three different families who come together to form one supportive group.
Laura placed with the hourlong drama The Mother in the 2016 Script Pipeline season, besting over 2,500 other pilots. Bensick’s autobiographical play Life in Paradox, premiered in Los Angeles in 2019.
Everyday Insanity is Laura’s first TV show sale.
One of the Biggest Spec Sales in History from Script Pipeline Winner
After introductions by Script Pipeline to management, Evan Daugherty sold Snow White & the Huntsman to Universal for $3.25 million. It marked one of the biggest studio spec sales of all-time and subsequently turned Evan into one of the most in-demand writers in Hollywood. The film has grossed $450 million worldwide.
Shortly following the contest win, Evan landed an assignment with Warner Bros. to rewrite the adaptation of He-Man, which led to the sale of Snow White.
Amongst selling a pilot pitch, Evan wrote the Teenage Mutant Ninja Turtles reboot, produced by Michael Bay. Other studio projects: the adaptation of YA novel Divergent for Summit Entertainment, starring Shailene Woodley and Academy Award-winner Kate Winslet, the Tomb Raider reboot starring Alicia Vikander, and Rose Red, based on an original script by Justin Merz and a pitch by Evan, which is in development with Vinson Films and Disney.
In 2020, he began development with Sony on a reimagining of the cult hit Anaconda.
Script Pipeline Winner an Acclaimed Indie Hit
Henry Dunham's The Standoff at Sparrow Creek was produced with an ensemble cast featuring James Badge Dale (Rubicon), Brian Geraghty (The Hurt Locker), Happy Anderson (Mindhunter), Robert Armayo (Game of Thrones), and Gene Jones (The Hateful Eight). Dallas Sonnier, Jonathan Brownlee, and Amanda Presmyk served as producers.
The film premiered at the Toronto International Film Festival, where it was acquired by RLJ Entertainment.
The project, originally titled Militia, won the 2015 Script Pipeline Screenwriting Competition before being picked up. Writer Henry Dunham was connected with representation less than a month after contest results were announced, signing with Pipeline industry partner Lit Entertainment and UTA.
Top critics from The Hollywood Reporter, SlashFilm, and others praised Henry's directorial debut, and Rolling Stone selected Standoff as one of the top 10 films to see in 2019.
Robert De Niro Stars in Script Pipeline Contest-Winning Screenplay
The Script Pipeline contest-winning screenplay Shrapnel by Evan Daugherty was turned into the film Killing Season, starring Robert De Niro and John Travolta. Corsan and Millennium Films helmed the action/thriller and rehashed the original plot during development.
It was the first Script Pipeline winner to get produced.
TV Contest Runner-up Staffed on Netflix, BET, and CBS Shows
Howard Jordan (Family Be Like), runner-up in the TV Writing Competition, signed with Verve and Lit Entertainment. He went on to write for the CBS sitcom Superior Donuts in 2018, with his first solo-written episode premiering that year, followed by the CBS comedy The Unicorn, starring Walton Goggins (Justified).
Afterward, he wrote on Netflix's Family Reunion, where he won a WGA Award for the episode "Remember Black Elvis?", then joined the staff of the BET show Bigger in 2020.
Over the course of 20 years, many other writers have optioned their work, found paid writing jobs, produced their films, and garnered management or agency representation through Pipeline Media Group's exhaustive process of industry facilitation.
2021 Adaptation Contest
December 31st, 2020 - Pre-register Deadline