The Churchgoer by Patrick Coleman literary / crime Harper Perennial – July 2019 Slow-burn, atmospheric, literary noir—a subgenre of crime fiction that’s rich with history in the publishing world. Some of the finest writers to ever dip their quills into ink—Raymond Chandler, James Ellroy, and Patricia Highsmith, for example—were masters of literary noir, preeminent in pushing the subgenre to the forefront of the book industry. A prospective work of the genre must not only adhere to the classic plot structure of crime drama, but also serve as a deep psychological probe into the minds of its morally ambiguous, oftentimes self-destructive characters. Said work also can’t skimp on ambience. In order to be considered literary noir, the backdrop and tone of the story should be vivid, dripping in subtext and intrigue at every turn, and serve as practically its own character. It is a high bar, and is one that many…
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