Amy B. Scher Wins 2020 Adaptation Competition

"This Is How I Save My Life" lauded by Pipeline execs as a potential "cinematic gem"

 

Book Pipeline: Adaptation

Introducing published authors to producers - pre-register for reduced rate by Dec. 31st

 

Debut Novel by Book Pipeline Winner Releases 2021

Tara Stringfellow's "Memphis" published by Dial Press (Penguin Random House)

 

Book Pipeline Supporting NaNoWriMo 2020

Join one of the largest communities of new authors

 

Book Pipeline on Twitter

#PipelineAuthors virtual mixers begin Jan. 2021

 

Winner "The Last to See Me" Spins a Fresh Take on a Ghost Story

Sequel "I See You So Close" released in 2020 by Simon & Schuster

 

Book Pipeline: Unpublished

Connecting new authors to agents and publishers - 2021 season opens Dec. 1st

 

Book Pipeline Winner: Whistleblower Exposes Unethical Administration

Paula Pedene's remarkable story detailed in "Veteran's Day"

 

Book Pipeline Co-Hosts Session at the Writer's Digest Conference

The 2019 NYC event drew close to 1,000 attendees

 

Book Pipeline Winner: Biography Highlights True Founder of Crips

The life of gang leader Raymond Washington by Zach Fortier

 

Book Pipeline Winner: A Timely One-Woman Comedy Play

"Application Pending" earns critical praise and multiple awards

 

Book Pipeline Winner: Vivid Neo-Noir Breathes Life into the Genre

Milo Behr's impressive novel wins first Book Pipeline season

Unpublished Contest

The Book Pipeline Unpublished competition is exclusively for unpublished manuscripts across multiple categories of fiction and nonfiction. Select publishers and agents get first look at the top selections for each category.

Next Season Opens: December 7th, 2020

Learn More

Adaptation Contest

The Book Pipeline Adaptation competition seeks published books, graphic novels, short stories, and plays for film and television adaptation. Winner and finalists reviewed by film and television producers.

Pre-register Deadline: December 31st, 2020

Learn More

About

Launched in 2014, Book Pipeline connects writers worldwide with publishers, agents, and the film industry. Through two submissions platforms–Unpublished and Adaptation–the company seeks both new and established authors and playwrights.

Previous winners include M Dressler’s acclaimed novel The Last to See Me, the true story Veteran’s Day from whistleblower Paul Pedene, and the award-winning play Application Pending by Tony Award Winner Andy Sandberg and Greg Edwards.

For 20 years, Script Pipeline has bridged the gap between up-and-coming writers and the industry through a unique, long-term, hands-on facilitation process. The result thus far has been $7 million in scripts sold to studios and networks since 1999. In total, across both Book and Script Pipeline, over 20,000 pieces of creative material are reviewed annually, with over 1,800 entries submitted to Book Pipeline in 2018.

Learn more about Script Pipeline and Pipeline Media Group (PMG).

Next Deadline

December 31st, 2020 Adaptation Competition

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Book Pipeline: Spotlight

The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win

By Spotlight - Must-Reads

The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Winby by Maria Konnikova Nonfiction Penguin – June 2020 The memoir. It’s a genre of nonfiction that, quite honestly, is a bit of a wildcard. When done poorly, memoirs can be superfluous exercises of vanity, incredibly dry reads, and thinly veiled instruments of agenda-pushing. Furthermore, for every insightful, sharply crafted, and timely memoir, there are about a dozen that are. . . well, not. Luckily for us? Not only is The Biggest Bluff firmly in the former category, it is one of the most astute, intellectually challenging, and engrossing works I’ve read in recent memory. The Biggest Bluff follows Maria Konnikova, a Columbia University PhD in Psychology and acclaimed writer, as she dove into the world of professional poker as a method to study human behavior, the role of chance in day-to-day life (and the fallacy that we can control all…

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From Book Pipeline Writers

“Everything about my experience with Book Pipeline so far has been wonderful. It means a great deal to me to have them out there advocating, stomping the earth for my work.”

M Dressler (The Last to See Me)Book Pipeline Winner

“Book Pipeline's support and advice in helping develop a compelling package to industry decision-makers has been invaluable... This is a contest that truly delivers what it promises.”

Paula Pedene and Doug Williams (Veteran's Day)Book Pipeline Winner

“Being named a finalist felt like official validation of what everyone kept telling me: "Your book should be a movie." Book Pipeline's knowledge and guidance have given me priceless behind-the-scenes insights into the entertainment industry, and their connections provided a foot in the door.”

Melanie Thorne (Hand Me Down)Book Pipeline Finalist

“This contest is legit. Prior to the option agreement, Book Pipeline pushed my book week after week, month after month to anyone who would listen to the potential Raymond Washington’s life story held.”

Zach Fortier (I Am Ray Washington)Book Pipeline Winner

“Placing as a Semifinalist for my short story was a huge confidence boost, and I learned a lot in the process. As a new author without any published fiction work who submitted a psychological drama about a 6-foot-tall talking pigeon, the odds probably weren't in my favor--but their unbiased judges saw the potential in my insane idea.”

Elvin Sabla (Flight of the Pigeon Man)Book Pipeline Semifinalist

“Book Pipeline opened my eyes to entirely new avenues for my writing. I've always considered myself a novelist, yet being selected in the top 10 gave me a sense of when my concepts are screen-worthy, or might even endure through a series.”

Keith Leitch (Too Much Information)Book Pipeline Semifinalist

“Becoming a Book Pipeline finalist has been a welcome bit of news. There are few opportunities in life to reinvent yourself, and this one of them. Perhaps the most surprising aspect is how unintimidating the folks at Book Pipeline are: highly approachable and sincerely interested in my success.”

W. Lawrence (Syncing Forward)Book Pipeline Finalist

“Though my first self-published novel was an award winner and was picked up by a producer, getting a self-published book recognized is an arduous process. I took a different tact with my second novel, and entered it into Book Pipeline, and now I have a chance to pitch it to industry professionals. Wish I had done that with my first book!”

Douglas Wentworth (CarnEvil)Book Pipeline Semifinalist

“Of all the contests I've entered (and even won), I've received the most information, the most exposure, and the most mentoring from Book Pipeline.”

Milo Behr (Beowulf: A Bloody Calculus)Book Pipeline Winner

“Having been named a Book Pipeline semifinalist not only gave me a lift, but it renewed my hope of turning some of my novels into films. They are terrific at putting production companies together with writers. I recommend all screenwriter and authors submit.”

Libby Fischer Hellmann (A Bitter Veil)Book Pipeline Semifinalist

“Writers work alone. Someone saying 'your book should be a movie' can make my day. When 'Six Passengers, Five Parachutes' was selected as a Book Pipeline Semifinalist, it made my year.”

Ian BullBook Pipeline Semifinalist

“Being named a finalist has definitely increased both the profile of my book and its perceived market value. The Book Pipeline team has impressed me every step of the way with their high standards, organisation, individual attention, and industry savvy.”

Stacia Saint Owens (Auto-Erotica)Book Pipeline Finalist

Interviews

Jenna-Marie Warnecke

By Interviews

A finalist in the Book Pipeline Fiction competition with her short story Cuddlebug, Jenna-Marie Warnecke is a fiction and (as of 2020) TV writer. Her work has been published in journals and magazines nationwide. The underlying premise of Cuddlebug is so raw with so much universal heart. Where did the idea come from? What was alluring about the world of “professional cuddlers?” A friend of mine referred to my partner at the time as “Cuddlebug,” and I imagined a company of professional cuddlers, going around town comforting people in a physical but nonsexual way. By the time I got the story published, that service existed! I suppose I was prescient enough to foresee this type of gig work, but couldn’t get it out into the world fast enough for everyone else to think I was ahead of my time. My whole process of writing the story was just imagining, what…

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Adaptations in Development

Adaptations in Development – October 2020

By Adaptations in Development

Here are some of the most notable adaptations announced in October 2020: – John Ridley will write and direct a paranormal thriller film based on Saleah Blancaflor’s article “Project Poltergeist” for Blumhouse Productions and Truly*Adventurous. Truly*Adventurous published the article in May 2020. – Mark Bomback will script the adaptation of R.J. Palacio’s White Bird: A Wonder Story for Lionsgate and Mandeville Films. Marc Forster will direct. Alfred A. Knopf published the graphic novel in October 2020. – Catya McMullen’s Broadway play Georgia Mertching Is Dead is getting a movie adaptation from Star Thrower Entertainment. McMullen will script, and Andrea Savage will direct. – Jayson Rothwell will adapt Horace Greasley’s WWII memoir Do the Birds Still Sing in Hell? (written with Ken Scott) for Monarch Media. John Blake published in September 2013. – Over at BBC Films, Courttia Newland will adapt Augustown, written by Kei Miller. The novel was published in…

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