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About

Launched in 2014, Book Pipeline was conceived by the creators of industry-leader Script Pipeline as the first competition specifically seeking new material for film and television adaptation. Book Pipeline actively develops writers worldwide and prepares their work for ongoing, widespread exposure to producers, agents, and other execs in need of projects for all markets, indie and studio.

For 20 years, Script Pipeline has bridged the gap between up-and-coming writers and the industry through a unique, long-term, hands-on facilitation process. The result thus far has been $7 million in scripts sold to studios and networks since 1999. In total, across both Book and Script Pipeline, over 20,000 pieces of creative material are reviewed annually, with over 1,800 entries submitted to Book Pipeline in 2018.

Learn more about Script Pipeline and Pipeline Media Group (PMG).

Upcoming Deadline

May 10th, 2019 Non-fiction Competition

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Testimonials

“Everything about my experience with Book Pipeline so far has been wonderful. It means a great deal to me to have them out there advocating, stomping the earth for my work. I believe in passion, and respond to it, and look for it, and the Pipeline team has been showing me loud and clear their passion for 'The Last To See Me.' I like collaboration, and a shared sense of value, and unexpected stories. This is one of them.”

M Dressler (The Last to See Me)Book Pipeline Winner

“This contest is legit. Prior to the option agreement, Book Pipeline pushed my book week after week, month after month to anyone who would listen to the potential Raymond Washington’s life story held. I am hopeful now that one day 'I am Raymond Washington' will exist on either the small or big screen so audiences can learn of this amazing person and the life he lived.”

Zach Fortier (I Am Ray Washington)Book Pipeline Winner

“Of all the contests I've entered (and even won), I've received the most information, the most exposure, and the most mentoring from Book Pipeline.”

Milo Behr (Beowulf: A Bloody Calculus)Book Pipeline Winner

“Being named a finalist felt like official validation of what everyone kept telling me: "Your book should be a movie." Book Pipeline's knowledge and guidance have given me priceless behind-the-scenes insights into the entertainment industry, and their connections provided a foot in the door. Possibly best of all is their excitement about my story and their commitment to helping it reach a broader audience.”

Melanie Thorne (Hand Me Down)Book Pipeline Finalist

“Placing as a Semifinalist for my short story was a huge confidence boost, and I learned a lot in the process. As a new author without any published fiction work who submitted a psychological drama about a 6-foot-tall talking pigeon, the odds probably weren't in my favor--but their unbiased judges saw the potential in my insane idea. I really appreciated their straightforward feedback, and I look forward to continue building the story with them, which is honestly the best part of the deal.”

Elvin Sabla (Flight of the Pigeon Man)Book Pipeline Semifinalist

“Book Pipeline opened my eyes to entirely new avenues for my writing. I've always considered myself a novelist, yet being selected in the top 10 gave me a sense of when my concepts are screen-worthy, or might even endure through a series. They have tirelessly advised me how to structure pitches for these markets, which is a skill that will last my whole writing career. To be counted amongst these outstanding authors makes me feel proud. ”

Keith Leitch (Too Much Information)Book Pipeline Semifinalist

“Becoming a Book Pipeline finalist has been a welcome bit of news. There are few opportunities in life to reinvent yourself, and this one of them. Perhaps the most surprising aspect is how unintimidating the folks at Book Pipeline are: highly approachable and sincerely interested in my success.”

W. Lawrence (Syncing Forward)Book Pipeline Finalist

“Being named a finalist has definitely increased both the profile of my book and its perceived market value. The Book Pipeline team has impressed me every step of the way with their high standards, organisation, individual attention, and industry savvy. I can honestly say that they contribute the same level of drive, commitment, and professionalism on their end as conduit-builders as I do on my end as a writer. I know that I am in good hands and highly recommend Book Pipeline to any writer who is serious about introducing their work to the entertainment industry.”

Stacia Saint Owens (Auto-Erotica)Book Pipeline Finalist

“Though my first self-published novel was an award winner and was picked up by a producer, getting a self-published book recognized is an arduous process. I took a different tact with my second novel, and entered it into Book Pipeline, and now I have a chance to pitch it to industry professionals. Wish I had done that with my first book!”

Douglas Wentworth (CarnEvil)Book Pipeline Semifinalist

“Having been named a Book Pipeline semifinalist not only gave me a lift, but it renewed my hope of turning some of my novels into films. They are terrific at putting production companies together with writers. I recommend all screenwriter and authors submit.”

Libby Fischer Hellmann (A Bitter Veil)Book Pipeline Semifinalist

“Writers work alone. Someone saying 'your book should be a movie' can make my day. When 'Six Passengers, Five Parachutes' was selected as a Book Pipeline Semifinalist, it made my year. It’s a tremendous honor, and it not only inspires me to keep going, but it makes the book more appealing and proves it’s a legitimate thriller.”

Ian BullBook Pipeline Semifinalist

Interviews

Darlene Parris Young

By | Interviews

Finalist in the 2018 Book Pipeline season, Darlene Parris Young’s introspective autobiography Unzipped shines a rare and candid light on an industry most know little about. Her oftentimes heart-wrenching story highlights a crucial time in the NYC world of fashion and the hurdles she faced for decades as a model, compounded by an array of troubles that make her a true survivor. I know the cliff notes version won’t do it total justice, but. . . in a nutshell, what was it like being a fashion fit model in an era immensely different from the present day? Or was it that different? How have you seen the industry evolve from the day you started to now? Concerning social dynamics in the modeling industry, I have seen quite a few changes in the last 50 years. As a fit model, we were called “coat hangers” by trade, as well as being considered independent…

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Book Pipeline: Spotlight