Book Pipeline Competition
Application Pending by Greg Edwards & Andy Sandberg
Fluke by Martin Blinder
Jin Village by Vincent Stoia
Liberty by Sarah Lawrence
Nightingale by Andrea Bramhall
Stay Younger Longer by Ryan Hyatt
The Black Lens by Christopher Stollar
The Karma Booth by Jeff Pearce
The Price of Admission by Laura Kalpakian
The Shooter Act by Turner Tomlinson
Finalists and Winner Announced: April 5th, 2017
Next Season Opens: April 15th, 2017
The 3rd Annual Book Pipeline Competition is searching for authors with material appropriate for film or television adaptation. The winning writer will receive circulation to Lakeshore Entertainment (Million Dollar Baby, American Pastoral), Energy Entertainment (Extant, I Am Legend), Good Fear Film + Management, Darko Entertainment (Pride and Prejudice and Zombies), and other top production companies and agencies best-suited for developing the selected projects.
Continuing to build upon the success of the Script Pipeline writing competitions, which has discovered hundreds of new writers over the past 16 years, Book Pipeline aims to deliver unique, compelling stories to the industry–with the specific intent of getting them on the fast-track to film and television production. The contest is open to all genres, and both new and established writers may enter.
Acceptable entries include:
- Graphic Novels and comics
- Book proposals or pitches (fiction or non-fiction)
- Short stories
– A brief synopsis of the story. No length requirement, but 1-3 pages is typical. Please note this is required for all entries.
– In addition, for novels, novellas, and other full-length or in-progress books, we’ll accept up to approximately the first 5,000 words. For plays, graphic novels, proposals, and short stories, the complete manuscript may be submitted.
*Materials may be uploaded during registration, OR sent as an attachment to firstname.lastname@example.org after registration. Registrants will receive a confirmation email with further info and instructions.
Criteria & Review: All entries are judged on the basis of concept originality, writing ability, and primarily the property’s viability as a film or television series. Judges will consist of Script Pipeline executives and the supporting management/production companies in the latter rounds of review.
Feedback: Every entrant will receive brief, general feedback on their submission, specifically on the material’s adaptation potential, once results have been announced. Comments are sent direct via email after final judging is completed in April 2017.
– Material may be published or unpublished; if published, the film AND television rights must be available
– Writers selected for the final rounds of judging may submit their full novel for review, if available. However, the final decisions will not hinge on a writer having the completed manuscript. Our primary concerns are the overall pitch and story synopsis in addition to the sample chapters to determine writing ability.
– Supplemental materials (illustrations, character bios, etc.) are optional but acceptable.
Final Deadline was December 15th. Next season opens in April 2017.
Grand Prize Winner – Announced April 5th, 2017:
– Airfare to Los Angeles for meetings with development executives, as well as agencies and literary reps
– Editorial write-up from Script Pipeline covering the material
Finalists (2-8) and Winner – Announced April 5th, 2017:
– Industry circulation to over 200 companies searching for new literary material
– Additional one-on-one, long-term development assistance and consultation from Script Pipeline executives
– Editorial write-up from Script Pipeline covering the material
Semifinalists (10-20) – Announced March 20th, 2017:
– Consideration for industry circulation and personal development assistance from Script Pipeline executives
COMPANIES REVIEWING WINNER
Lakeshore Entertainment – producers of the Oscar-winning Million Dollar Baby and several hit studio films, including The Lincoln Lawyer, Underworld, and American Pastoral, based on the Philip Roth novel. In 2015, Lakeshore produced the acclaimed drama The Age of Adeline, with Blake Lively (Gossip Girl), Michiel Huisman (Orphan Black, Game of Thrones), and Harrison Ford. Lakeshore is also adapting a screen version of the Henry Farrell book What Ever Happened to Baby Jane? The company is actively searching for all types of genres for both film and television.
Energy Entertainment – management/production company launched by Brooklyn Weaver in 2001. Brooklyn is served as executive producer with Steven Spielberg on the CBS sci-fi/drama Extant, starring Academy Award-Winner Halle Berry. In 2013, Weaver co-produced the thriller Out of the Furnace with Leonardo DiCaprio and Ridley Scott. Energy has a number of other projects in development and pre-production, including a reboot of I Am Legend.
Darko Entertainment – launched by producers Sean McKittrick, Richard Hamm Jr., and writer Richard Kelly (Donnie Darko), Darko seeks director-driven films with a “unique voice,” in addition to literary material that can be adapted for the independent market. Notable projects include the cult hit Donnie Darko, Bad Words (Jason Bateman), The Box (Cameron Diaz and James Marsden), and the ensemble action/comedy Operation: Endgame (Zach Galifianakis, Adam Scott, Ellen Barkin), co-produced with Script Pipeline’s Chad Clough. An adaptation of the Seth Grahame-Smith novel Pride and Prejudice and Zombies released in 2016, starring a predominantly UK cast that includes Lena Heady (Game of Thrones), Lily James (Downton Abbey, Cinderella), and Matt Smith (Doctor Who).
Good Fear Film + Management – launched in 2016 by Chris Bender, whose credits with former production company Benderspink include American Pie, A History of Violence, The Hangover trilogy, and We’re the Millers. Manager Jake Wagner, whose clients include Script Pipeline competition alumni Evan Daugherty (Snow White and the Huntsman) and Tripper Clancy (Stranded), joins Bender and producer Jake Weiner. The company has several film and TV series in development across all genres.
*Book Pipeline finalists and semifinalists will also receive personzlied circulation to Script Pipeline’s industry network of over 200 production companies and agencies, on a project-by-project basis, with long-term assistance for the winner and finalists.